Posts in Long Reads
Chef Craig Wong: Food + Sustainability 王智榮: 永續的飲食革命

We caught up with Chef Craig Wong, the Toronto-based owner of the award-winning restaurant Patois and upcoming Bar Mignonette, to explore his views on sustainability. We wanted to know what the actual practice of this word versus lip service means to him as a chef, restaurateur and cultural champion. During the pandemic, he was a part of a collaboration with IKEA that focused on cooking with scraps. That exercise, in turn, inspired the images in our feature. In this special conversation, we examine the concept of sustainability through three lenses: first as a culinary philosophy, then towards the preservation of culture and, finally, the conservation of the restaurant industry.

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Tirion Law: Time As Foundation For A Ballerina’s Life 台上一分鐘,台下十年功

Standing at 158 centimeters tall, this young Hong Kong-born New Zealand-trained ballet dancer is making the most of her time as part of the National Ballet of Canada. Tirion Law officially joined as a member of the Corps de Ballet in 2018. Her repertoire includes Alice’s Adventures in Wonderland, The Nutcracker, Anna Karenina, The Dream, Paquita, The Second Detail and The Vertiginous Thrill of Exactitude.

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Documentary Filmmaker Ruby Yang 楊紫燁: On Working With Time

Academy Award-Winning Director, Ruby Yang, talks about her journey, the idea of time and pace in her work, and COVID-19. Yang is currently the Project Director of the Hong Kong Documentary Initiative (HKDI) and was the recipient of the Hong Kong Arts Development Council’s Artist of the Year for Film in 2018. Our Fête Chinoise editors first met Ruby in December 2019 at the film screening of The Last Stitch (2019) directed by Alfred Sung, which Yang served as the Executive Producer. Later, Yang shared that she saw the wonderful events featuring Chinese Canadian culture that Fête Chinoise had designed. It is truly our pleasure to share her thoughts.


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Paper Sneakers and Border-Crossing Dreams: Multimedia Artist Natalie Wong

Natalie’s work is never the same; it is continuing developing, adapting and evolving. I find it fascinating she cannot pick a favourite medium and experimentation tends to lead her to all sorts of new artistic dimensions. What is consistent however, is how Natalie seems to make pieces with cultural, whether localised or global, connotations. I would speculate whether it comes from Natalie’s outlook from splitting her time between Hong Kong and London. Natalie noted that “both cities are amazing in their own unique ways. Hong Kong is intense, efficient and it's easy to meet people.

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Dr. Thomas Fung 馮永發博士: Spirit of Enterprise 提升加國華人生活品質的企業精神

For many second-generation Chinese Canadian children growing up in the 1990s and 2000s, Fairchild was one of the major avenues to connect with their parents’ home and Hong Kong culture. Fairchild TV transmitted dramas and soap operas from Asia to Canada, successfully bridging the gap between “home” in Asia and “home” in Toronto for immigrants and their descendants for over three decades.

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Samantha Wan: From the Director’s Chair

Fête Chinoise contributor Jasmine Chen shares an up-close and personal interview with Samantha Wan, whom you may know from the award-winning series Second Jen. She worked with Andrew Phung in this new and intriguing series and has so much warmth and heart to share. “Being an actor, a writer, a producer, all of those things make the directing way easier.”

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Capturing Time and Chinese Tradition in a Contemporary Way 以當代方式捕捉時間和中華傳統 : Amanyangyun at Every Season 養雲安縵

10,000 camphor trees and 50 historical buildings were replanted and reconstructed in Minhang District, just outside of Shanghai under the direction of Mr. Dadong Ma. Why? He wanted to stop these cultural artifacts and places from being forever lost. The businessman then searched out Aman Resorts as an operator and many years later, Amanyangyun was born.

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He Kun 賀昆 : Capturing the Reality of the Pandemic with Traditional Brush Painting

From my series “The Quiet Spring,” the beginnings of the virus can be seen — at the time it wasn’t perceived as too serious and no one could predict that just two months later, it would become a global pandemic. The development of the epidemic inspired several series of large- and small-scale ink paintings with profound reflections.

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Abundance: Across Oceans and Generations by Toronto artist Shellie Zhang 張雪萊

My latest project Abundance opened as an online exhibition with Patel Gallery for the 2020 Scotiabank CONTACT Photography Festival. Featuring new sculptural, photographic and installation-based works, Abundance is a cyclical reflection on two actions: my relatives bringing pieces of cut fruit in my youth, and me leaving fruit offerings at ancestral graves.

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Stephanie H. Shih 石函玉:Capturing the Asian Diaspora through Ceramic Groceries

When she was just 11, Stephanie’s Chinese mother passed away, and because her father was white, she felt she had lost an important connection to her heritage. The porcelain dumpling reminded her of her mother, who died before teaching her how to fold real ones, and she would send me photos of herself travelling with the dumpling thereafter.

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A Cultural Children’s Book Becomes New York Times Best Seller: Joanna Ho’s “Eyes that Kiss in the Corners”

In this pivotal moment for change in the North American Asian community, it is a children's picture book written by Joanna Ho, Eyes that Kiss in the Corners, that has been an exceptional source for hope and positivity for readers of all ages. After reading the book meant for children, an Asian adult might share the collective revelation that the lack of self-love and quiet self-doubt linked to our physical features has been the result of racism. But these features should be recast as precious traits our ancestors gifted us, not to be ashamed of, and something to be proud of and to embrace like the little girl in the book.

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