Produced by Renaissance Canadian Theatre in association with Tarragon Theatre, Bachelor Man unfolds an important historical era that resonates with the Chinese Canadian experience. As Artistic Director Andrew Moodie noted in his opening remarks, the company’s commitment to reviving overlooked works is meaningful, not only as preservation but also as a way to highlight narratives often absent from mainstream theatre. First premiered in 1987 at Theatre Passe Muraille, the play now returns to Tarragon, offering today’s audiences a rare opportunity to explore a chapter of history that many may not know.

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Hiro Kanagawa has spent his life navigating the spaces in between cultures, continents, and roles. From Star Trek: Discovery to the Stratford stage, the Japanese-Canadian actor and playwright has built a career on complex characters and untold histories. Now, in his Stratford debut, Kanagawa brings Forgiveness to life—not just as a writer, but as a performer reckoning with identity, legacy, and the quiet power of grace. It’s a cultural conversation and a gift across generations.

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From the moment the audience steps into the Tom Patterson Theatre, they are immersed in an atmosphere thick with memory and history. The two leading actors move solemnly along a runway-like stage, drawing the audience’s gaze to a few simple yet carefully chosen props. Even before the performance begins, the stage design has already captured everyone’s attention.

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