Vivienne Tam is a fashion designer that intentionally bridges China and the West in her work, exploring beauty and wonder in our diverse shared cultures. Now she's bridging her own fashion voice with the recently trending world of metaverse and NFTs. Her new collection on the runway at New York Fashion Week is a fun and colourful bash, incorporating instances of untamed collisions of apes to mahjong tiles, pixels and flashy hex tones on fabric.
Read MoreBorn in Harbin, China, and raised in Toronto, Emily had a traditional Asian upbringing. This included parents who, naturally, encouraged her to pursue a livelihood that would be financially sound. She dutifully fulfilled her parents’ expectations, studying business and starting a stable career. They were pleased.
Read MoreTo illustrate the fact that creativity emerges from countless perspectives, Alexander McQueen invites a group of twelve artists to express their individual working practices inspired by the Autumn/Winter 2022 women’s pre-collection.
Read MoreYou may recognize Ishie Wang’s face immediately: she is one of the prominent Asian models in Canadian advertisements for Roots, Hudson’s Bay, Sporting Life, and The Shopping Channel. From an early age, her family clearly envisioned a cultivated life of aesthetics and artistic appreciation for her. Ishie began learning piano at the age of 3 1/2, studied calligraphy and Chinese painting at the age of 4, and learned erhu at 6 and percussion instruments at 8. By the age of 11, she had completed her Grade 9 Piano certification and was recognized in numerous musical competitions.
Read MoreCurrently 18 years of age, Sophia had an interest in the arts since childhood. It was, however, the pandemic that really pushed her into creating pieces when she was at home. In 2015, Sophia’s father gave her a Nikon D60 and lent her his camera gear. Prior to the pandemic, this camera was a constant companion, making an appearance everywhere on trips, hang-outs with friends, and neighbourhood walks.
Read MoreI am often too focussed on how the world sees me that I sometimes forget to see myself. As a Chinese woman, one of my defining features are my eyes. These are the same eyes that were ridiculed when I was a child. I still remember the chant about them which made me feel ugly. It resides in my mind as the first time I realised I looked different from everyone else. Yet, I now love these imaginative eyes that, when closed, take me to faraway lands and places I never thought I would see. Now, I am proud of these almond eyes, eyes that guide me to paint, draw and create. I cherish them for the beauty that they let me see, in others and over the years, in myself and my journey.
Read MoreBefore getting dressed in the morning, I wade through the dresses, blouses, skirts, jackets, scarves, hats, shoes and handbags clogging my bedroom closet and still can’t find anything to wear. It’s become a daily ritual. My tastes change with the fashion. Or is that I expect too much from my clothes? One day I wear ruffles and feel pretty, and the next a camouflage print to channel my inner warrior. My friend has trouble packing her suitcase for overseas trips because she simply cannot anticipate what her mood might be on the road. “I dress to express what I feel,” she tells me. “Or what I want to make happen on a given day.”
Read MoreFour young applied artists reveal a glimpse of their dream world. Their imagination takes us on unique journeys of cultural exploration and craftsmanship.
Read MoreNatalie’s work is never the same; it is continuing developing, adapting and evolving. I find it fascinating she cannot pick a favourite medium and experimentation tends to lead her to all sorts of new artistic dimensions. What is consistent however, is how Natalie seems to make pieces with cultural, whether localised or global, connotations. I would speculate whether it comes from Natalie’s outlook from splitting her time between Hong Kong and London. Natalie noted that “both cities are amazing in their own unique ways. Hong Kong is intense, efficient and it's easy to meet people.
Read MoreFrom my series “The Quiet Spring,” the beginnings of the virus can be seen — at the time it wasn’t perceived as too serious and no one could predict that just two months later, it would become a global pandemic. The development of the epidemic inspired several series of large- and small-scale ink paintings with profound reflections.
Read MoreMy latest project Abundance opened as an online exhibition with Patel Gallery for the 2020 Scotiabank CONTACT Photography Festival. Featuring new sculptural, photographic and installation-based works, Abundance is a cyclical reflection on two actions: my relatives bringing pieces of cut fruit in my youth, and me leaving fruit offerings at ancestral graves.
Read MoreUsing paper as medium and sculpture as method, this series brings to life the meaning of ten characters through each visual form.
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