"Wear’s HK" brings 20 of Hong Kong’s most compelling fashion designers to six iconic shopping hotspots—including Harbour City, ifc mall, Harvey Nichols and more. From the gender-neutral tailoring of DEMO and PONDER.ER to the exquisite couture of KEV YIU and Natacha Van, explore how these homegrown talents are redefining modern Asian fashion.
Read MoreHong Kong Fashion Fest 2026 kicked off its third annual edition with VIRTUOSE: The Artistry of Couture at the Hong Kong Palace Museum. Set against a dramatic, crimson-swathed foyer, four visionary designers from Hong Kong, Spain, and Vietnam came together in a vibrant creative exchange, redefining modern haute couture through traditional craftsmanship and cultural storytelling.
Read MoreFrom August 14 to 16, 2026, the quiet streets of Downtown Markham were replaced by the roar of twin-turbo V6 engines as the city hosted the inaugural Ontario Honda Dealers Indy. The 3.52-kilometre street circuit brought high-speed motorsport into the heart of Markham Centre, reshaping the surrounding urban footprint for three days of intense racing, live music, and community turnout.
Read MoreHong Kong-Canadian playwright Jeff Ho speaks with Fête Chinoise about his new sequel to As You Like It, growing up between Cantonese and English, and bringing inclusive, park-side theatre to Toronto with Shakespeare in the Ruff.
Read MoreThe co-creator of Salesman in China returns to the Stratford Festival with a risqué, modern adaptation of Congreve's classic comedy, setting sharp satire and romantic chaos against the backdrop of Singapore’s ultra-wealthy elite.
Read MoreAs FIFA fever sweeps the nation, a dynamic new exhibition at the Chinese Canadian Museum celebrates over a century of grit, greatness, and athletic legacy. “Chinese Canadians have always been part of the game, but rarely part of the story,” notes Dr. Melissa Karmen Lee, CEO of the Chinese Canadian Museum. This poignant nuance forms the heart of the showcase, which invites visitors to trace over a century of Chinese-Canadian presence in sports. Designed as an electrified, sports bar–inspired space, the Poy Family Gallery presents archival objects, photographic portraits, and newly commissioned moving image works, allowing everyone to explore these beautiful layers of history through different mediums.
Read MoreOur mooncake tin design pays tribute to this rich tradition while offering an education bridge for the next generation. Drawing inspiration from vintage Mahjong sets, including collections from Waddington’s Auctioneers, our committee members, and our Editor-in-Chief, we studied variations in tile design, from characters to floral motifs, carving strokes and symbolic details. We then dreamt up and hand-illustrated our own interpretation.
Read MoreThere is a particular sound that many of us carry from our earliest memories: the sharp, satisfying click and clang of Mahjong tiles shuffled across a table, the gentle murmur of conversation between turns, and the laughter that rises from familiar stories, playful teasing, and moments shared around the table. Across generations and continents, Mahjong has travelled far beyond the tabletop. It has become a gathering place connecting families, preserving traditions, and carrying with it a rich language of symbolism, craftsmanship, and cultural memory.
This Mid-Autumn Festival, we invite our community to rediscover the beauty behind this beloved game through the 6th annual Love at Mid-Autumn campaign, a celebration of Chinese heritage, creative expression, and giving back.
Read MoreThis past Wednesday, NAAAP Toronto presented a panel exploring how Chinese cuisine in Canada has evolved from humble café staples into one of the country’s most dynamic culinary movements. Held at the beautiful Porsche Centre North Toronto and proudly supported by the dealership, the evening brought together chefs and culinary voices including Trevor Lui (Fête Chinoise Edition 8), Eva Chin (Edition 9), Braden Chong (Edition 11), and David Schwartz.
Read MoreThe modern diaspora is a tapestry woven from memory fragments: the half-remembered stories told by elders, the vivid iconography of classic cinema, and the lingering weight of ancient rituals. For Emily Cheung, the Artistic Director of Little Pear Garden Dance Company, these cultural echoes do not belong solely to the past. Instead, they serve as the living, breathing foundation for her latest ambitious work: Echoes of the Underworld.
Read MoreAcclaimed Malaysian contemporary calligraphy artist Jameson Yap has unveiled a commissioned series of artworks for CloutHaus Residences, the luxury residential component of TA Global Berhad’s latest mixed-use development in Kuala Lumpur City Centre (KLCC). Presented at an exclusive exhibition held at the CloutHaus Sales Gallery on May 14, the showcase marked the venue’s first major cultural activation and reflected the development’s support for local creative talent, and ambitions to position itself as a destination shaped by art, culture, and curated experiences.
Read MoreLast week, on April 30, Christie’s Hong Kong presented “The Ai Lian Tang Collection – 800 Years of Chinese Ceramics”, achieving HK$376.7 million with all 20 lots sold. Spanning the Northern Song to Qing dynasties, the collection highlighted the enduring cultural and artistic significance of Chinese ceramics. Strong international bidding reflected sustained global demand for works with distinguished provenance and historical depth. The standout Yuan dynasty “Jinxiang Ting” narrative jar became the most valuable auction object in Asia this year to date, achieving HK$174.9 million (approximately CAD$30.6 million).
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