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Fans of the classic TVB series A Step into the Past have long awaited this moment, and it’s finally here! Back to the Past is the highly anticipated cinematic sequel that brings the beloved characters and thrilling storylines of the original 2001 series to the big screen.
My First of May will warm audiences’ hearts this New Year with its North American premiere on January 16. Written and directed by rising filmmaker James Hung, the film is a tender, realistic portrayal of a father-daughter relationship, the pursuit of dreams, and the resilience needed to face life’s challenges. Spanning three generations, the story delicately explores the bonds of family and the preciousness of every moment.
Remembering Stanley Kwok, visionary architect and urban planner who shaped cities for people, creating lasting community-focused spaces and inspiring future generations.
In the skilled hands of Master Hui Ka Hung, paper transforms into vibrant, lifelike creations embodying Hong Kong’s cultural heritage.
Hong Kong is a fast-paced city filled with innovation and potential. Among its towering skyscrapers are streets alive with people rushing to their next destination. Beyond the urban chaos lie alleys steeped in history and tradition. It is here that artisans preserve Hong Kong’s cultural heritage through traditional skills passed down for generations. Among them is Master Hui Ka Hung, whose workshop, Hung C Lau, has become synonymous with the art of paper craft.
Hong Kong, a city of neon lights and whispered histories, hums endlessly at the intersection of the ancient and the modern, the East and the West. It is a place of contradictions – a city that carries within it the echoes of temples, quiet in incense smoke, juxtaposed against the bustle of crowded, cosmopolitan streets. Within this labyrinth of cultural dualities and layered identities, the contemplative sculptures of Danny Lee Chin-Fai emerge – shaped by and, in turn, shaping the identity of the city itself.
Following his victory in the first season of TVB’s singing competition Midlife, Sing & Shine! in 2022, Hong Kong singer Albert Chau (周吉佩) reignited his long-paused singing career with heartfelt performances that deeply resonated with audiences. Recently, he was invited by Fairchild Media Group to perform in their Mid-Autumn Music Dinner concert series (吉星伴月慶中秋 周吉佩音樂晚宴) in Canada, with three performances across the country, including a stop in Toronto.
Colin Farrell, Fala Chen, and director Edward Berger attended the Canadian premiere of Ballad of a Small Player 《小人物之歌》 at TIFF 2025. Set in the neon-lit world of Macau’s casinos, the film follows Lord Doyle (Farrell), a washed-up gambler offered a second chance by the enigmatic Dao Ming (Chen), while pursued by a relentless investigator (Tilda Swinton). Directed by Edward Berger (All Quiet on the Western Front), the film also stars Deanie Ip and Alex Jennings.
Making Waves Montreal 2025 returns from September 18–20 at Cinéma Cineplex Forum, showcasing six new Hong Kong films, including The Last Dance: Extended Version starring Dayo Wong and Michael Hui, Papa by Philip Yung with Sean Lau, and My First of May starring Aaron Kwok and Gigi Leung. Meet filmmakers and talent in exclusive post-screening Q&As.
After a successful festival run including a screening at the Raindance Film Festival, the Hong Kong adaptation of Richard Linklater’s TAPE is set to hit UK cinemas from 22 August 2025. The film brings new cultural depth and dramatic intensity to the classic one-room thriller. Stay tuned for more screening updates, including upcoming showings in Canada!
Zoe Siu’s hands glide over vibrant ropes, twisting them into intricate forms that elevate both a humble material and an ancient craft into bold contemporary statements. From sculptural jewellery to large-scale installations, her creations breathe new life into the ancient art of Chinese knotting. Based in Hong Kong, Siu has built a reputation for transforming tradition into bold contemporary statements, connecting centuries-old craftsmanship with modern design.
Coming to Canadian cinemas this Friday, The Way We Talk is the latest film from acclaimed director Adam Wong 黃修平 (The Way We Dance and She Remembers, He Forgets), known for his genre-defying storytelling. With a sensitive and objective lens, Wong leads audiences into the world of the Deaf community, offering a narrative that is both inclusive and deeply human. Starring Neo Yau, Chung Suet Ying, and Marco Ng.
Diaspora communities around the world allow for a richness of diversity to flourish. As different cultures of people leave one place and plant their roots in another, the sense of place, of the homeland, transplants through pursuits and stories of cuisine, design, and artifacts. In this chapter, cities and memories collide in London, Toronto and Hong Kong.
From two of Hong Kong’s most daring new voices—directors Jeffrey Lam and Antonio Tam—Valley of the Shadow of Death is an unflinching cinematic debut that confronts the uneasy space between faith and human frailty. Starring three-time Hong Kong Film Awards Best Actor Anthony Wong and stage icon Louisa So, this haunting drama follows a pastor whose daughter was raped and driven to suicide—only to be faced years later with the return of her assailant, now a penitent church member.
In Peg O’ My Heart, Hong Kong icon Nick Cheung directs and stars in a gripping psychological thriller exploring dreams, regret, and redemption. With stellar performances by Fala Chen and Terrance Lau, this visually stunning film blends horror with social commentary on mental health and morality.
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During a break from her flight schedule in 2008, Skye Chan spotted a television advertisement for Miss Hong Kong pageant entrants. Most flight attendants might have dismissed the idea immediately. Chan had built her reputation on efficiency and professionalism, not the polished glamour typically associated with beauty competitions.
Yet something about the opportunity intrigued her. At twenty-three, Chan knew the eligibility cutoff of twenty-four made this her only opportunity to apply, so she downloaded the form and asked her mother to be her nominee. “You never know until you take a step forward,” she says.
Chan had no illusions about her chances.