Produced by Renaissance Canadian Theatre in association with Tarragon Theatre, Bachelor Man unfolds an important historical era that resonates with the Chinese Canadian experience. As Artistic Director Andrew Moodie noted in his opening remarks, the company’s commitment to reviving overlooked works is meaningful, not only as preservation but also as a way to highlight narratives often absent from mainstream theatre. First premiered in 1987 at Theatre Passe Muraille, the play now returns to Tarragon, offering today’s audiences a rare opportunity to explore a chapter of history that many may not know.

In this first roundup, we look at five standout films: The Sun Rises on Us All, Palimpsest: The Story of a Name, Lucky Lu, Amoeba, and Girl, each distinct in tone and style, yet deeply connected by emotional resonance and cultural reflection. These stories span geographies and genres: from Guangzhou’s aching past to the immigrant realities of New York, from the haunting intimacy of family trauma to the rebellion of young women pushing against systemic constraint. Some films confront generational wounds or buried identities; others capture moments of quiet survival or poetic self-reinvention.

Hiro Kanagawa has spent his life navigating the spaces in between cultures, continents, and roles. From Star Trek: Discovery to the Stratford stage, the Japanese-Canadian actor and playwright has built a career on complex characters and untold histories. Now, in his Stratford debut, Kanagawa brings Forgiveness to life—not just as a writer, but as a performer reckoning with identity, legacy, and the quiet power of grace. It’s a cultural conversation and a gift across generations.

I held my daughter’s hands as she steadily walked a wooden spoon of water to the foot of the King Camphor Tree. “King Tree,” she delightfully whispered as she poured the well water as an offering, with reverence and childlike wonder. The camphor tree stood in the heart of the central courtyard, the largest and most majestic of the ten thousand trees at Amanyangyun, with a weight of 80 tonnes and a trunk so thick, its circumference would take at least a dozen people to join hands in a circle to offer a full embrace. The King Tree has borne witness to time well before ours; estimated to be at least 1000 years old, it was alive when the Ming and Qing emperors ruled, and lived through regimes and changes that we can only read about in history books.

Discover the Ai Lian Tang Collection, featuring 26 exquisite Chinese art pieces including a rare Qianlong celadon-glazed archaistic vase inspired by Western Zhou bronzes. Showcasing imperial scholar objects like enamel ink stone warmers and jadeite censers, this Christie’s auction during Hong Kong Asian Art Week offers a unique glimpse into Qing dynasty artistry and philosophy. Preview in Beijing, Shanghai, Taipei, and Hong Kong before the live auction on October 30, 2025.

Making Waves Montreal 2025 returns from September 18–20 at Cinéma Cineplex Forum, showcasing six new Hong Kong films, including The Last Dance: Extended Version starring Dayo Wong and Michael Hui, Papa by Philip Yung with Sean Lau, and My First of May starring Aaron Kwok and Gigi Leung. Meet filmmakers and talent in exclusive post-screening Q&As.